Next on my list was the Ninilchik Swoncho, primarily to use particular gradients in the beautiful, chunky oversized motifs in the fair isle yoke. I loved the way this handful I'd picked played with each other; Canyon, Aurora, Chinook all have an earthy but modern appeal. From there, selecting the color to be the main part of the body wasn't going so easily. I didn't want a super dramatic gradient, but neither did I want a semi-solid.
Since my list of sweaters in my queue was only growing longer I realized that I wanted to take a fresh approach to gradients. Time to create something that straddles the line. Something softer, with changes that stay within a single color but not the predictable dark to light. Shades of deep blues, pale creams, saturated reds. A hint of a change, not a rainbow. Something very wearable, but with a bit of extra interest, and so the Watercolor range was born.
What I love about the Watercolors is they open up a whole new world of possibilities. They coordinate beautifully with the more dramatic gradients, allowing them to play off each other gently without competing. They also work great as stand alone colors, with a bit more dimension than a semi-solid - adding a touch more interest without being overwhelming, making them great for everyday wear and perfect for sweaters and larger garments!
ABout Tina Whitmore
Yarn Dyer, Designer, Dog Lover, in no particular order.. Founded Knitwhits in 2003, and Freia Fine Handpaints in 2010, introducing gradient yarn to knitting stores worldwide. Getting Hygge with it - warmth, comfort, color, texture, design, nature.